Dr. MD. Amirul Islam, MA (RU), PhD (RU)

e-mail: kanakpkru@gmail.com

professor

Department of folklore and Social development studies

University of Rajshahi, Rajshahi 6205, Bangladesh

Professor Dr. Md. Amirul Islam (Kanak PK) is a leading Bangladeshi folklorist, novelist, poet, and cultural theorist whose work bridges creative literature and academic research. His recent promotion to Full Professor signifies institutional recognition of his interdisciplinary contributions. His novel Chandragarbha, poetry collection Sheshrater Bhanga Puran, and research monographs Madarpirer Gan: Alochona O Sangroho and Bangladesher Gajir Gan are critically examined. Special emphasis is placed on Chandragarbha as a historically grounded ecofeminist novel situated in ancient Bengal during the transitional phase from Pala to Sena rule, incorporating the life and philosophical legacy of Atīśa Dīpaṅkara Śrījñāna. The study argues that Amirul Islam articulates an alternative historiography where women’s psychology, ecological consciousness, and folk spirituality function as counter-narratives to political and religious hegemonies.

South Asian historiography has traditionally privileged dynastic narratives, elite textual traditions, and state-centric epistemologies. In contrast, contemporary interdisciplinary scholarship increasingly foregrounds marginal voices, ecological contexts, and vernacular knowledge systems. Within this intellectual shift, Professor Md. Amirul Islam (Kanak PK) occupies a distinctive position in Bangladeshi scholarship by integrating folklore studies, historical fiction, ecofeminist theory, and cultural anthropology.

Rather than treating folklore as an archival residue, Amirul Islam conceptualizes it as a living epistemology through which history, gender relations, environmental ethics, and power structures can be critically interrogated. This article evaluates his major creative and scholarly works to situate his contribution within global debates on ecofeminism, subaltern historiography, and folk knowledge systems.

2. Chandragarbha: Historical Fiction at the Intersection of Gender, Ecology, and Power

2.1 Historical Framework: From Pala Decline to Sena Ascendancy

Chandragarbha is set in ancient Bengal during the late Pala and early Sena periods (11th–12th century CE), a time marked by profound political, religious, and cultural transformations. The decline of Buddhist patronage under the Palas and the gradual consolidation of Brahmanical authority under the Senas reshaped land relations, religious practices, and social hierarchies (Thapar, 2002).

Amirul Islam departs from conventional historiography by reconstructing this transitional period through the lived experiences of women, ascetics, and ecologically embedded communities rather than royal chronicles. The novel foregrounds forests, rivers, agrarian cycles, and domestic spaces as historical agents.

2.2 Atīśa Dīpaṅkara Śrījñāna: Ethics, Compassion, and Intellectual Resistance

Atīśa Dīpaṅkara Śrījñāna emerges in Chandragarbha not merely as a historical figure but as an ethical and philosophical presence. His emphasis on compassion (karuṇā), moderation, and moral discipline provides a counter-discourse to rising religious orthodoxy and caste consolidation.

By invoking Atīśa’s transregional influence and humanistic Buddhism, the novel situates Bengal within broader Asian intellectual networks while simultaneously critiquing the erosion of pluralistic values at home.

2.3 Women’s Psychology and Ecofeminist Discourse

A defining feature of Chandragarbha is its ecofeminist orientation. Drawing implicitly on ecofeminist thought (Merchant, 1995; Shiva, 1988), the novel establishes symbolic parallels between:

Women’s bodies and cultivable land

Reproductive labor and agricultural regeneration

Patriarchal violence and ecological destruction

Women are portrayed as repositories of memory, ecological knowledge, and resistance. Their psychological interiority is intricately linked to natural rhythms, positioning them as historical subjects rather than passive victims. This ecofeminist articulation distinguishes Chandragarbha within South Asian historical fiction.

2.4 Narrative Technique and Linguistic Hybridity

The novel employs a hybrid narrative mode combining folklore, mythic structures, and psychological realism. Linguistically, it blends archaic tonalities with contemporary introspection, allowing historical authenticity without sacrificing modern critical sensibilities. This stylistic hybridity reinforces the novel’s thematic emphasis on continuity and rupture.

3. Sheshrater Bhanga Puran: Poetry as Cultural Deconstruction

Sheshrater Bhanga Puran represents Amirul Islam’s poetic engagement with myth, memory, and dissent. The “last night” (sheshrat) functions as a liminal temporal metaphor where dominant narratives collapse and alternative meanings emerge.

The poems dismantle religious, nationalist, and romantic myths while retaining an ethical commitment to love, empathy, and resistance. Through sparse diction and symbolic density, the collection situates poetry as a mode of cultural critique.

4. Madarpirer Gan: Alochona O Sangroho: Folk Islam as Vernacular Ethics

This ethnographic work documents and analyzes devotional songs centered on Madarpir, a significant figure in Bengali folk Islam. Combining fieldwork with textual analysis, Amirul Islam situates these songs within a syncretic spiritual tradition emphasizing healing, intimacy, and communal ethics.

Methodologically, the book is significant for preserving endangered oral traditions while challenging rigid distinctions between “orthodox” and “popular” Islam (Roy, 1983).

5. Bangladesher Gajir Gan: Sacred Ecology and Folk Environmentalism

In Bangladesher Gajir Gan, Amirul Islam examines Gaji songs as expressions of indigenous environmental ethics. Gaji appears as a guardian of forests, rivers, and wildlife, particularly the tiger. These songs articulate a cosmology of coexistence rather than domination, offering an alternative to modern extractivist paradigms.

This work contributes to global discussions on sacred ecology and folk environmentalism by foregrounding vernacular ecological knowledge.

6. Discussion: An Integrated Intellectual Project

Across genres, Amirul Islam’s work demonstrates a coherent intellectual vision where literature, folklore, history, gender studies, and ecology intersect. His scholarship aligns with global interdisciplinary movements that challenge Eurocentric historiography and advocate for culturally grounded knowledge systems.

Professor Md. Amirul Islam (Kanak PK) represents a significant intellectual voice in contemporary South Asian cultural studies. Through Chandragarbha and his folklore research, he articulates a counter-historical imagination in which women, ecology, and folk spirituality reclaim epistemic centrality. His work not only enriches Bangladeshi scholarship but also contributes meaningfully to international debates on ecofeminism, historical fiction, and vernacular knowledge.

***Books of Professor Md. Amirul Islam/ Kanak Amirul Islam (Kanak Pk)

1. Lokojiboner sanskrity: Ekanto Abolokan, Koli prokashoni,  Dhaka,  2012

2. Best stories of Maupassant (ed.), Bijoy prokash,  Dhaka, 2012

3. Bangla Academy Bibartanmulak Bangla Avidhan, Part. 1 & 2 (Compiler), Bangla Academy, Dhaka, June 2013.

4. Bangla Academy Bibartanmulak Bangla Avidhan, Part. 2 (Compiler), Bangla Academy, Dhaka, June 2013.

5. Bangla Academy Bibartanmulak Bangla Avidhan, Part. 3 (Compiler), Bangla Academy, Dhaka, May 2014.

6. Chandragharbha (Novel), Uttaran, Rajshahi, 2022;

7. Shesh Rater Bhanga Puran (Poetry), Samakaler Jiyonkathi, Kolkata, 2023;

8. Madar Pirer gaan: Alochona O sanggraha (Research), Samakaler Jiyonkathi, Kolkata, 2023;

9. Ghoti-Bangaler deshe (Poetry, 2024);

10.Girl from Saltlake (Poetry, Kolkata, 2024);

11.Bangaldesher Gajir Gan, Suprokash Anchalcharcha Granthamla 12, Suprokash, Kolkata, 2025

***Published articles as lecturer

1.      

 1. Folkphilosophy of Madar Gaan, Shilpakala Academy Journal, 30th year, vol. 1, 2012, Dhaka.

2.  Folkdrama Madar Gaan: Internal matters, Folklore Journal, ISSN:1993-0038, 5th vol. 2012, University of Rajshahi

3.  Madar Gaan Reflection of folklife of Bengali, Ulukhagra, 15th vol. February, 2012, Dhaka.

4.  Jodi Banshi Ar Na Baje, Bangalir Nazrul, Sky publishers, Ekushey Book Fair, 2012, Dhaka.

5.  Nashikanthar Math: Banshi Ar bajibe Na, Shova Prokash, Ekushey Book Fair, 2012, Dhaka.

6.  History and Subjects of Madarpirer gaan, Bangla Academy Research Journal, 55 Years, 3-4 vol, 2012, Bangla Academy, Dhaka.

7.  Folksongs of Bangladesh as Intangible Cultural heritage, Folklore journal, ISSN: 1993-0038, vol. 6, December 2013, RU.

***Published articles as an assistant professor1.         

1. Humayun Ahmed's Wall: A Tragic Story of Postcolonial Bangladesh, Nirikh, ISSN: 1999-7612, 7th Year, 1st Issue, September 2014.

2.  Intangible Cultural Heritage in Bangladesh: A Fieldwork experience with the UNESCO convention team, Folklore journal, vol. 7, ISSN: 1993-0038, March 2015, RU.

3.  M. A. Hamid and Bangla Yearbook, Chalanbil Rang, ISBN: 978-984-33-8861-2 Abdur Razzak Raju (ed.) (Bogra. Parivartan, 2016).

4.  75'r Epith Opith and Khalnayakera, Nirikh, ISSN: 1999-7612, 10th Year, 1st Issue, February 2017.

5.  The Chronicle meanings of folk: A homage to professor Mazharul Islam, Mrithajoy Mazharul Islam, Professor Abdul Khaleque & professor Muhammad Abdul Jalil (Etd.). (Dhaka Bishwashaluttya bhaban, 2017).

6.  Satpake Matir Mandir: Patgramer Lokdharma o Sanskriti, Lokkik, ISSN: 2230-780X, International Seminar Read at Lokutsabe Pathit, 1920 September 2018, Paschim Medinipur, India.

7.  Shokher Haari: Itahisah o Bivartan, Folklore journal, vol. 9, ISSN: 1993-0038, March 2019, RU.

8.  Third gender as intermixture performer in folk drama: a deliberation of rural Bangladesh, Dr. Md. Jahangir Hossain (Ed.) (Published on the occasion of the 4th International Folklore Seminar 2019) ISBN:978-984-34-6551-1 Bangladesh Folklore Research Center, Rajshahi University.

9.   Music for therapy: A Neuro Scientific study of Bangladeshi folk music, Presented article at International Conference, By Faculty of Social Science, on 19-20 July, 2019.

***Published Articles as an Associate Professor:

1. Third Gender as Intermixture Performer in Folk Drama: A Deliberation of Rural Bangladesh, Folklore Journal, Vol. 10, December 2020. ISSN 1993-0038.
2. Jaggan of the Chalanbil Region: A Survey, National Mass Media Institute Journal, Vol. 7, No. 7, 2024. ISSN 2789-780.
3. Bangla New Year Festival and Calendar Reform: From Origin to Continuity,  Literature and Culture Research Society Journal, Vol. 3, No. 3, Rajshahi, June 2021. ISSN 2663-9173.
4. Cognition of the Human Brain and Consciousness through Bangla Folk Music, Seminar, Department of Folklore, University of Rajshahi, 2023.
5. History and Evolution of Rajshahi’s Decorative Pottery, Bangladesh Folk and Crafts Foundation, Sonargaon, Narayanganj, July–December Issue, 2021.
6. Jaggan of the Chalanbil Region: A Historical Review, Antat, 7th Year, 9th Issue, November 2023. ISSN 2520-3509
7. Bengal’s Haat and Bengal’s Fair, Mononrekha, Vol. 8, Issue 14, edited by Mizanur Rahman Nasim, Rangpur, June 2024.
8. Folk Drama Jaggan: In the Light of History, Antat, 7th Year, 9th Issue, edited by Rahman Raju, Rajshahi, November 2023. ISSN 2520-3509.
9. Folk Drama Khangaan: The Indigenous–Palli–Rajbanshi Art Form, Antat, 8th Year, Issues 10–11, edited by Rahman Raju, Rajshahi, April–November 2024. ISSN 2520-3509.
10. The Prehistoric Sanctuary Sundarbans: The Cultural Sphere of the Bengali World in the Mirror of the Contemporary Era, Samakaler Jiyonkathi, Akhanda Sundarban Katha–1 (India–Bangladesh), edited by Nazimul Islam Mondal, Kolkata, July–December 2022. ISSN 2249-4782
11. Sufis in Bengal–India: The Naqshbandiyya and Qadiriyya Orders, Sufism in Bengal, edited by Indubhushan Mondal, Kolkata, July 2025. ISBN 978-81-987957-9-3.
12. The Qalandariyya and Madariyya Sufi Orders, Sufism in Bengal, edited by Indubhushan Mondal, Kolkata, July 2025. ISBN 978-81-987957-9-3.
13. Folklore, Folk, and Folk Culture, Lokosanskriti Bhuban–1, Samakaler Jiyonkathi, Kolkata, 2023. ISSN 2249-4782
14. Songs of Begging or Alms: Beggars’ Songs—A Musical Notation of Life and Livelihood, edited by Siraj Salekin, Kathaprakash, August 2021. ISBN 978-984-510-099-1.
15. Satpake Golokdham: Folk Religion and Culture Centered on the Clay Temples of Patgram, International Journal of Communication, Society and Cultural Studies, Vol. 1, Issue 1 (January–December 2021). ISSN 2664-4061.
16. A Definition of Folklore (Translation). Original author: Francis Lee Utley; published in Lokobhavana, edited by Aminur Rahman Sultan, Folklore Safeguarding Society, Bangladesh, Issue 2, June 2025. ISSN 3080-3330.
17. Communalism in the Subcontinent: Tracing Its Origins and Theoretical Frameworks, Bhaswati, Issue 32, Bogura, February 2025.
18. Folklore: Reading Contexts and Academic Framework, Folklore Journal, Issue 12, December 2024. ISSN 1993-0038.
19. Bengali Heritage: The Bengali Calendar, Lokosanskriti Bhuban–2, Samakaler Jiyonkathi, edited by Najibul Islam Majumdar, Kolkata, 2024. ISSN 2249-4782.

    ***Statement of obligation to any other institution or University:

1. Editor, Medha, Yearly Journal of Chalanbil medhabikash foundation, Natore;
2. Editor, Tarar mela, Yearly journal of Khubjipur high School ex Students forum.
3. Editorial body member of language-literature-culture Research Journal, language-literature-culture Research Centre, RU.
4. Sub-editor: Samakaler Jionkathi etc.  
5. Editorial member of International Journal of Communication, Society and Cultural Studies  
   
   

1.     Acting student Advisor, University of Rajshahi, from 06.09.2024 to until further order.

2.     Served three years as house tutor at Nawab Abdul Latif Hall, Rajshahi University. 02.09.2015 to 01.09. 2018.

3.     Served three years as house tutor at Madar bux hall, Rajshahi University, 17.09.2021 to 05. 09. 2024.

4.     Participation as Moderator at Debate championships.

5.     Advisor of Equal Rights forum, RU.

6.     Advisor of National Ethnic community, RU.

7.     Advisor of RUREHF, RU.

8.     Advisor of Green voice, RU.

9.     Advisor of BFDF, RU.

10.  Advisor of Green voice, RU.

11.  Advisor of Career club, RU.

12.  Advisor of Red Crecent society, RU, and many more,

Also advisor, organizer, and active member of A many other socio-cultural organizations.

***Awards and Recognitions

1.   Madar Bux Award, 2025;

2.    Lifetime Literary Honor in Memory of Pallikabi Jasimuddin 2025;

3.    National Literary Honor 2024, Raiganj, West Bengal;

4.     Katwa College Diamond Jubilee Memorial 2024, West Bengal;

5.     International Peace Award 2024, SAARC Journalist Forum, Baishali, Bihar, India;

6.     World Baul Mela Memorial 2023, Uttar Dinajpur, West Bengal;

7.     Honorary Plaque 2024, Raiganj University, Uttar Dinajpur;

8.     Samaswar Literary Award 2024, Purulia, India;

9.     Bangla Kobitangon Honor 2024, Chattogram;

10.   Dhanshiri Publishing Honor 2021, Sherpur, Bogura.

Appendix-1

cÖKvwkZ MÖš’:

1. Lokojiboner sanskrity: Ekanto Abolokan, Koli prokashoni,  Dhaka,  2012

2. Best stories of Maupassant (ed.), Bijoy prokash,  Dhaka, 2012

3. Bangla Academy Bibartanmulak Bangla Avidhan, Part. 1 & 2 (Compiler), Bangla Academy, Dhaka, June 2013.

4. Bangla Academy Bibartanmulak Bangla Avidhan, Part. 2 (Compiler), Bangla Academy, Dhaka, June 2013.

5. Bangla Academy Bibartanmulak Bangla Avidhan, Part. 3 (Compiler), Bangla Academy, Dhaka, May 2014.

6. Chandragarbh (Novel), Uttaran, Rajshahi, 2022;

7. Shesh Rater Bhanga Puran (Poetry), Samakaler Jiyonkathi, Kolkata, 2023;

8. Madar Pirer gaan Alochona o samgraho (Research), Samakaler Jiyonkathi, Kolkata, 2023;

9. Ghoti-Bangaler Deshe (Poetry, 2024);

10.Girl from Saltlake (Poetry, Kolkata, 2024);

11.Bangaldesher Gajir Gan, Suprokash Anchalcharcha Granthamla 12, Suprokash, Kolkata, 2025

cÖKvwkZ cÖeÜ:

cÖfvlK wn‡m‡e cÖKvwkZ cÖeÜ:

1. Folkphilosophy of Madar Gaan, Shilpakala Academy Journal, 30^th year, vol. 1, 2012, Dhaka.

2. Folkdrama Madar Gaan: Internal matters, Folklore Journal, ISSN:1993-0038, 5^th vol, 2012, University of Rajshahi.

3. Madar Gaan Reflection of folklife of Bengali, Ulukhagra, 15^th vol, February, 2012, Dhaka.

4. Jodi Banshi Ar Na Baje, Bangalir Nazrul, Sky publishers, Ekushey Book Fair, 2012, Dhaka.

5. Nashikanthar Math: Banshi Ar bajibe Na, Shova Prokash, Ekushey Book Fair, 2012, Dhaka.

6. History and Subjects of Madarpirer gaan, Bangla Academy Research Journal, 55 Years, 3-4 vol, 2012, Bangla Academy, Dhaka.

7.  Folksongs of Bangladesh as Intangible Cultural heritage, Folklore journal, ISSN:1993-0038, vol. 6, December 2013, RU.

mnKvix Aa¨vcK wn‡m‡e cÖKvwkZ cÖeÜ I AvšÍR©vwZK †mwgbv‡i AskMÖnY:

1. ûgvq~b Avn‡g‡`i †`qvj: †cv÷K‡jvwbqvj evsjv‡`‡ki GK we‡qvMvšÍ AvL¨vb, wbwiL, ISSN:1999-7612, 7g el©, 1g msL¨v, †m‡Þ¤^i 2014|

2. Intangible Cultural Heritage in Bangladesh: A Fieldwork experience with the UNESCO convention team, Folklore journal, vol. 7, ISSN:1993-0038, March 2015, RU. 

3. Gg G nvwg` I evsjv el©cwÄ, Pjbwej iZœ, ISBN: 978-984-33-8861-2 Avãyi iv¾vK ivRy (m¤úv.) (e¸ov: cwieZ©b, 2016)|

4. 75Õi GwcV IwcV I Ljbvq‡Kiv, wbwiL, ISSN:1999-7612, 10g el©, 1g msL¨v, †de&ªyqvwi 2017|

5. The Chronicle meanings of folk: A homage to professor Mazharul Islam, Mrittunjoy Mazharul Islam, Professor Abdul Khaleque & professor Muhammad Abdul Jalil (Etd.), ( Dhaka: Bishwashahittya bhaban, 2017).

6. mvZcv‡K gvwUi gw›`i: cvUMÖv‡gi †jvKag© I ms¯‹…wZ, †jŠwKK, ISSN:2230-780X, AvšÍR©vwZK †mwgbvi †jvKDrm‡e cwVZ,  19-20 †m‡Þ¤^i 2018, cwðg †gw`bxcyi, fviZ|

7. k‡Li nvwo: BwZnvm I weeZ©b, Folklore journal, vol. 9, ISSN:1993-0038, March 2019, RU.

8. Third gender as intermixture performer in folk drama: a deliberation of rural Bangladesh, W. †gv. Rvnv½xi †nv‡mb (m¤úv.) (PZz_© AvšÍR©vwZK †dvK‡jvi †mwgbvi 2019 Dcj‡ÿ cÖKvwkZ) ISBN:978-984-34-6551-1 evsjv‡`k †dvK‡jvi M‡elYv †K›`ª, ivRkvnx wek^we`¨vjq|

9.      Music for therapy: A Neuro Scientific study of Bangladeshi folk music, Presented article at International Conference, By Faculty of Social Science, on 19-20 July, 2019.

mn‡hvMx Aa¨vcK wn‡m‡e cÖKvwkZ cÖeÜ I AvšÍR©vwZK †mwgbv‡i AskMÖnY:

1. Third gender as intermixture performer in folk drama: a deliberation of rural Bangladesh, Folklore Journal, Vol. 10, December 2020. ISSN 1993-0038

2. Pjbwej A‡ji RvMMvb: GKwU mgxÿv, RvZxq MYgva¨g Bbw÷wUDU Rvb©vj, el© 7, msL¨v 7, 2024| ISSN 2789-780

3. evsjv beel© Drme I el©cwÄ ms¯‹vi: Drm †_‡K wbišÍi, fvlv-mvwnZ¨-ms¯‹…wZ M‡elYv msm` cwÎKv, Z…Zxq el©, Z…Zxq msL¨v, ivRkvnx, Ryb 2021| ISSN 2663-9173

4. Cognition Of human brain and consciousness through Bangla folk music,  Seminar, Department of Folklore, University of Rajshahi, 2023  

5. ivRkvnxi k‡Li nvuwo BwZnvm I weeZ©b, evsjv‡`k †jvK I Kviæwkí dvD‡Ûkb, †mvbviMvuI, bvivqYMÄ, RyjvB-wW‡m¤^i msL¨v. 2021|

6. Pjbwej A‡ji RvMMvb: GKwU HwZnvwmK ch©v‡jvPbv, AvbZ©, mßg eQi, beg cvV, b‡f¤^i 2023| ISSN 2520-3509

7. evsjvi nvU, evsjvi †gjv, gbb‡iLv, el© 8, msL¨v 14, wgRvbyi ingvb bvwmg (m¤úv.), iscyi,  Ryb 2024|

8. †jvKbvU¨ RvMMvb: BwZnv‡mi wbwi‡L, AvbZ©, mßg eQi, beg cvV, ingvb ivRy (m¤úv.), ivRkvnx, b‡f¤^i 2023| ISSN 2520-3509

9. †jvKbvU¨ LbMvb: †`kx-cwj-ivReskxi wkí, AvbZ©, Aóg eQi, 10-11 cvV, ingvb ivRy (m¤úv.), ivRkvnx,  GwcÖj b‡f¤^i 2024| AvBGmGmGb: 2520-3509 ISSN 2520-3509

10. cÖv‰MwZnvwmK AfqviY¨ my›`ieb: mgKv‡ji `c©‡Y evOvwj ms¯‹…wZi e„Ëejq, mgKv‡ji wRqbKvwV, ALÐ my›`ieb K_v – 1, (fviZ-evsjv‡`k), bvwRgyj Bmjvg gÐj (m¤úv.), KjKvZv, RyjvB-wW‡m¤^i 2022| ISSN 2249-4782

11. e½-fvi‡Z mywd: bK&ke›`xqv I Kv‡`wiqv m¤úª`vq, e‡½ mywdgZ, B›`yf‚lY gÐj (m¤úv.) KjKvZv, RyjvB 2025| ISBN 978-81-987957-9-3

12. Kj›`wiqv I gv`vwiqv mywdev`x m¤úª`vq,  e‡½ mywdgZ, B›`yf‚lY gÐj (m¤úv.) KjKvZv, RyjvB 2025| ISBN 978-81-987957-9-3

13. †dvK‡jvi, †jvK I †jvKms¯‹…wZ, †jvKms¯‹…wZ fzeb 1, mgKv‡ji wRqbKvwV, KjKvZv, 2023| ISSN 2249-47 82

14. wfÿve„wË ev gvO‡bi Mvb, wfÿz‡Ki Mvb: Rxeb-RxweKvi myiwjwc (m¤úv.), wmivR mv‡jKxb, K_vcÖKvk, AvM÷ 2021| ISBN 978-984-510—099-1

15. mvZcv‡K †MvjKavg: cvUMÖv‡gi gvwUi gw›`i‡Kw›`ªK †jvKag© I ms¯‹…wZ, ISSN 978-81-987957-9-3 INTERNATIONAL JOURNAL OF COMMUNICATION SOCIETY AND CULTURAL STUDIES, Vol. 1 Issue 1 (January-December 2021). ISSN 2664-4061

16. †dvK‡jv‡ii GKwU msÁv (Abyev`) g~j: d«vwÝm jx A¨vUjx, †jvKfvebv, Avwgbyi ingvb myjZvb m¤úvw`Z, †dvK‡jvi †mdMvwW©s †mvmvBwU, evsjv‡`k, wØZxq msL¨v, Ryb 2025, ISSN 3080-3330

17. Dcgnv‡`‡k mv¤úª`vwqKZv: Drm I ZË¡-Zvjvk, fv¯^Zx, 32 Zg msL¨v, e¸ov, †deªæqvwi 2025|

18. †dvK‡jvi; cvV-cÖvmw½Kx I we`¨vqZwbK iƒc‡iLv, †dvK‡jvi Rvb©vj, 12 k msL¨v wW‡m¤^i 2024, ISSN 1993-0038

19. evOvwji HwZn¨: evsjv el©cwÄ, †jvKms¯‹…wZ fzeb 2, mgKv‡ji wRqbKvwV, bvwReyj Bmjvg gÐj (m¤úv.), KjKvZv, 2024| ISSN 22-49-4782